production music library
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An unstoppable technological force. Dark, insistent, galloping, heartbeat-like electrical pulses/rhythms pull themselves apart and collide with a dimensional portal @:12, dissolving into blasts and wisps of smoky reverb and reassembling @:40 to continue its march of progress. Good for looming internet disasters, artsy car/sports commercials and computer mysteries.
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What it sounds like to stand in the center of a tornado/monsoon/windstorm. Wind noises, thunder, lightning all combine in a swirling, stuttering, explosive storm vortex of drama, tension and suspense. Intense dynamics between massive drum hits (bolstering the lightning strikes/thunderclaps) and quieter, but unnerving beds of deep bass throbbing prepare you for the storm of the century. @:28 a "weathervane" spins, then slows down into a fake-out before the last hit.
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Scary, animalistic, guttural cries of dinosaurs being circumcised. Bending, straining and bowed metal sounds bring to life the biggest creatures that ever - or never - were. Battle calls of dinosaurs or other large-scale monsters, organic or metallic, place you in the Jurassic period or in the distant future. Skittery, fluttering sounds of dragon wing-like flapping @:22 takes a tense pause @:28. Rise to the last hit @:47 is perfect for the reveal.
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Technological suspense and mystery. Pulsing, pounding, synthetic soundscape offset with shiny, glistening, airy rises immediately suggests both awestruck wonder and sinister danger. Grinding rhythms @:15 introduces the gritty underbelly and dramatic tension. Hits keep building, leading to a hearing-loss section @:32 that evolves into an ever-escalating rise and a big, verbed-out payoff. Good for dark futures, Science Fiction, dystopias, space, mutation and communication failures.
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A plane disintegrates mid-flight. Metal bursts, rips, tears, fractures and electrical shorts suggest a catastrophic chain of events, like flying on Spirit Airlines. Air rushes in, depressurizes, blasts everything away, all witnessed from a variety of dynamically changing perspectives. Section from :20 features various intense rises, rising in pitch and intensity. Garbled black box recording @:38 suggests all you need to know about the ending. Good for action, disasters, terror and suspense.
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Tick tock, evil lurks under the water. This track of subtle liquid creepiness mixes watery foreboding with impenetrable muddy textures and clock-like tension. It attacks in an increasingly violent series of hits @:27. Good for darkly obscured visuals, murky murders and hidden dangers.
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A series of asteroid strikes on a spaceship, suggested by noisy disruptive stabs, metal fatigue, disconnected wiring, air leaks and abrupt perspective shifts. A terrifying rise @:15 signals very bad things are happening. Ends with a furious barrage of trailer-ready hits. Good for action, space, Sci-Fi or quick cuts of intense violence.
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An aural waterboarding. Suspenseful and tense, this cut uses grinding stone, metal thuds, and abstract water discharges to put you deep underground, drowning in Hell's own sewer system or a fraught-filled journey through a watery labyrinth/Carnival cruise. An unnaturally tense section starting @:31 ratchets up the tension leading to (@:42) indecipherable submerged voices sloshing in from all directions.
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Sharp, metallic terror. Rusty needles injected into your bloodstream. Your heart extracted by a power saw while you're strapped down, awake. Cries of the damned mix with the screeches of torturous machinery, and clinking metals as a series of painful episodes recount the horror of being forcefully injected with a deadly substance or visiting my orthodontist, Dr. Mengele. Works for terror, horror, and evil paranormal phenomena.
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A jaw-droppingly wondrous future, with undercurrents of mystery. A shimmering mix of both organic and electronic textures, female voices and modern, glass-like tones fuse to create a sense of questioning positivity. Gets wistful @:16, then turns determined up to a hit @:26. Good for Sci-Fi, outer space, dystopias, planetary exoduses, genetic engineering or the perils of too much technology.
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Homicidal nanobots course through your body, eating you alive from the inside out. Mechanical insect noises, synthetic buzzing/skittering and descending-into-black-hole pitch shifts create a skin-crawling track useful for horror and terror. Final, alarm-like rise @:45 is truly scary.
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You are inside a post-murder crime scene, re-enacting an horrific murder. Abstracted camera snaps, flash powerups, mangled voices, glass-like shimmers and rapid shifts in perspective make this creepy, disorienting track perfect for anything involving murder, stalkers, paparazzi violence or the dark side of paranormal (ghosts, afterlife, horror).
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Completely creeped-out creepiness. Horrific abrasion noises. Sadistic distortion. Eerie metal scrapes. Plucked piano wires. Long division. If it makes you feel uncomfortable, chances are this track has it somewhere. Good mainly for horror and terror - but with a slight technological bent.
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A comedy module? Comedule? Here's a fun, different way to create comedic tension. A collage-y piece comprised of orchestra tuning, tympani rolls, string bounciness, and temple block rolls all lead into a swirling, atonal - but still positive - orchestral rise with a big payoff. This one's for cartoon-ish stories, suggesting light chaos or telling the story of the world's most accident-prone orchestra.
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Starts heavenly, ends Hellish. Ethereal microtonal Ligeti-esque voices are layered with muffled low percussion and slowly-vibrating metallic textures to create an organic, swirling, ghastly, underworldly environment. Variously wraithlike or subhuman, the voices evolve from a solitary voice to a building crescendo of tortured mystery. Rising voices @:23 add a new dimension of horror or apprehension to the piece.
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A combination of gigantic mechanical and organic sounds evoke a massive vehicle that burrows deep under the earth's crust, then reverses course and bursts up through the rocks and dirt. Gritty first hit @:09 sets events swirling in motion, climaxing @:20 with a muddy, volcanic, eruptive blast. Airy whooshes sprinkled with mechanical suggestions place you back inside the vehicle. Good for space/Mars/cosmic birthing, Sci-Fi, construction or establishing tension in a dirt/earth/mud/rock context.
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Nightmarish artificial, unemotive synthetic heartbeat-like pulse/gallop that slowly morphs into a metallic wave-like bed. Hypnotic rhythms pays homage to Steve Reich and Philip Glass via the Alien trailer and would be great for science fiction, thrillers, suspense and slowly building tension. Works especially well layered with a rise.
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Epic, world-ending trailer of orchestral percussion with rhythmic, gunshot-like hits and wind/storm sounds. Great in non-specific settings as well, like battles, competitions, action or adventure.
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Heartbeat electric bass, moody backing rhythms and thunderclaps create a tense bed of weather-related expectancy.
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Threatening tension. Takes the main metallic 'cry' and loops it, adding layers as it lumbers across the landscape, suggesting time passing. Good for violence, darker stories, evil plotting or anything using the word "sinister."
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Gritty rhythms and massive synthetic, overdriven drum stomps make for a trailer-ready 2nd act. Another layer of distorted bass @:21 adds nastiness. A delicate bed of high-frequency pulses @:38 provide contrast and lead to a final series of faster drum hits.
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Need to motivate a crowd? Rhythmic loops built on the plane fragments and crowd chants/noises. Excitement-builder good for sports commercials (Nike, Adidas) or global contests (World Cup, Formula 1, NBA Championship).
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Ticking clock tension with a creepy bent. Something huge starts hitting the bottom of the boat @:17 and keeps. Coming. Back.
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Communications blackout. Unease and tension in a space/futuristic setting. Low pulsing drones, bit-dithered helmet breathing/communications and minimal kick drums create a sense that you are beyond the reach of man, life support systems are at 2%, or your iPhone is bricked.
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Heavily-reverbed metal and stone-meets-pipe strikes and turtle-testicle-low bass pulses take you on a journey deep underground. Plodding, machine-like and dirty, this bed takes on a conveyor belt-like feel @:29. Good for plotting, machinations, tension, investigations, disappearances or mysteries.
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Slow, churning rhythm bed interlaced with transitional elements and scary hits @:33.
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Dramatic (but not dark) assembly of glass-like textures, post-ethnic bells and modern synthetics creates a disquieting but dispassionate vision of the future. Low bass adds weight and tension. Hit @:36 confirms your worst suspicions.
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Itch-inducing track. Clicks, glitches and other insect-like percussion create a disconcerting clock-like bed that is visually inspiring. If you're inspired by cockroach stopwatches.
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Mangled, unintelligible voices (reversed and whispering) combine with metallic percussives, time-based ticking and low drums to create a disturbingly strange + creepy bed. Works for horror, investigations, murder, stalkers and other exits on the death-crime interstate. That's I-95 for you East-coasters.
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Rusty machinery, malfunctioning electric shocks and muffled low thuds suggest you are dying a thousand deaths in the slowest, most evil way possible.
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Slow, measured sneaking-like plucky strings, triangle and tympani strikes accelerate, creating a lightly tense bed perfect for comedic tension or cartoonish anxiety. Tense col legno string hits/swells section @:44. @1:13 a slow, lightly anxious time-passing tympani/temple block section creates the perfect comedy setup or game-show build.
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Gritty, distorted Industrial/Rock guitars, and beats stomp all over the rising, swirling vocals. Perfect for dark dramas, murder, horror, satanic rituals and exploding puppies.
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Falling bass tones, percussive tom hits, low rumbles and metallic friction suggest ebbs and flows of dark activity and conspiracy.
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Prehistoric light tension with a groove. Organic Tribal drums and brushed percussion play along with the groaning, guttural dinosaur calls. Reminds me of a dinosaur ritual around a campfire. Yes, I'm that old.
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Unrestrained violence in its most brutal Industrial Rock form. Aggressive, dark and just plain nasty, with huge drums laying down a thundering beat, joined by distorted bass and what we think is someone's soul being operated on with a power saw.
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Moody, eerie and mysterious atmospheric open with disaffected woman's vocals sets up an explosion of modern Alternative Rock @:24 against a rattling rhythmic loop. Attitudinal grinding guitars, driving drums and Prog-Rock textures create an aggressive Drama Rock track good for chases, conspiracies, showdowns or fightin' sports (WWE, Boxing, MMA, Ice dancing).
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Epic, futuristic chillout music. Pulsing textures are joined by a wailing female solo voice (@:26) and guitar to impart deep emotion around @:20, and build to a dramatic hit @:42. Works for Sci-Fi, alternate realities and unsolved missing person cases.
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Determined, serious modern drama and suspense that builds linearly towards stately importance and proud exultation. Starting with a simple, 80s SynthPop arpeggio combined with modern cinematic string staccatos that suggests multi-layered, sophisticated storytelling. @:32, crowd chants lend it an impressive, widescreen and global-feeling scale. Good for showing growth and hard-fought victories.
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Tense, low- and high-frequency synthetic textures place you in a future world, alternate reality or altered present. This version lacks the hits of the original, making it more spacious and ready to be layered with whatever. High frequency rise leads to a washy, low drone @:51. Dark-tinged mystery bed that's good for conspiracy, intrigue and espionage.
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Attitudinal, modern Disco-meets-Dubstep. Off-kilter and kind of fun, like a really clumsy robot or inebriated monster on a Fashion Week catwalk. Disappears into a sea of reverb around :37, then resurfaces @:47 for the dancetastic finish. Gritty, grinding and toothy. Think Halloween, too.
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Shadowy, driving percussion, metallic swells and spiraling/rattling bowed guitars lay a skeleton for investigations, mysteries, unknown creatures or any title that includes the words "after dark."
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Slow, attitudinal, gritty distorted drums and low bass hits suggest irrational amounts of self-confidence. Good for sports, image spots and opens.
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Bleak wind and space dust swirl over a low drone. Also good for deserts or snow worlds.
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Undulating, creepy, unsettling water drain/sewer-like atmosphere leading to a rise @:55 and a climax @1:01. Simultaneously watery, metallic and electric while really being none of them. Disconcerting drone good for suspense, thriller, mystery, tension and the paranormal.
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Levitatingly tense drone created with child-like vocal textures. Evokes being suspended in time, vanishing in space, missing children or simply the inevitable mortality of us all. Have a good one.
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Artistic modulations of the rising vocals create a new take on disturbing elegance.
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Just the rising ethereal vocals, growing more dissonant and eerie. Terrifyingly simple.
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Serene, shiny, shimmering textures suggest space, dark-tinged wonder or being in orbit around Neil deGrasse Tyson. Wide scale, futuristic rise that keeps. On. Going.
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Pulsing, building, drum hit-littered rise bursting with anticipation and excitement. Good for big events, award shows, contests or anything needing a boost of positive tension.
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Gritty, jet engine-like rise builds to a dramatic payoff @:29. Can generate excitement - or dread, as it also sounds like a dive-bombing jet.
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Revolutionary new product? Changing the world one puppy at a time? Determined, do-gooding and super optimistic, this drum- and synth pad-driven rise evolves over time from simple stage-setting to rhythmic excitement with a confidence that will get you psyched about pretty much everything. Except kale. Enough with the kale, already.
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Bright, optimistic rise, featuring shimmering synths, reversed piano atmospheres and a pitch-shifting synth pad with a hint of anticipation and excitement. Good for new starts, corporate uses, and well, sunrises.
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Swirling, backwards- and chaotic-feeling orchestra tuning that rises to a precise and clear final hit.
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主版本-An unstoppable technological force. Dark, insistent, galloping, heartbeat-like electrical pulses/rhythms pull themselves apart and collide with a dimensional portal @:12, dissolving into blasts and wisps of smoky reverb and reassembling @:40 to continue its march of progress. Good for looming internet disasters, artsy car/sports commercials and computer mysteries.
-
主版本-What it sounds like to stand in the center of a tornado/monsoon/windstorm. Wind noises, thunder, lightning all combine in a swirling, stuttering, explosive storm vortex of drama, tension and suspense. Intense dynamics between massive drum hits (bolstering the lightning strikes/thunderclaps) and quieter, but unnerving beds of deep bass throbbing prepare you for the storm of the century. @:28 a "weathervane" spins, then slows down into a fake-out before the last hit.
-
主版本-Scary, animalistic, guttural cries of dinosaurs being circumcised. Bending, straining and bowed metal sounds bring to life the biggest creatures that ever - or never - were. Battle calls of dinosaurs or other large-scale monsters, organic or metallic, place you in the Jurassic period or in the distant future. Skittery, fluttering sounds of dragon wing-like flapping @:22 takes a tense pause @:28. Rise to the last hit @:47 is perfect for the reveal.
-
主版本-Technological suspense and mystery. Pulsing, pounding, synthetic soundscape offset with shiny, glistening, airy rises immediately suggests both awestruck wonder and sinister danger. Grinding rhythms @:15 introduces the gritty underbelly and dramatic tension. Hits keep building, leading to a hearing-loss section @:32 that evolves into an ever-escalating rise and a big, verbed-out payoff. Good for dark futures, Science Fiction, dystopias, space, mutation and communication failures.
-
主版本-A plane disintegrates mid-flight. Metal bursts, rips, tears, fractures and electrical shorts suggest a catastrophic chain of events, like flying on Spirit Airlines. Air rushes in, depressurizes, blasts everything away, all witnessed from a variety of dynamically changing perspectives. Section from :20 features various intense rises, rising in pitch and intensity. Garbled black box recording @:38 suggests all you need to know about the ending. Good for action, disasters, terror and suspense.
-
主版本-Tick tock, evil lurks under the water. This track of subtle liquid creepiness mixes watery foreboding with impenetrable muddy textures and clock-like tension. It attacks in an increasingly violent series of hits @:27. Good for darkly obscured visuals, murky murders and hidden dangers.
-
主版本-A series of asteroid strikes on a spaceship, suggested by noisy disruptive stabs, metal fatigue, disconnected wiring, air leaks and abrupt perspective shifts. A terrifying rise @:15 signals very bad things are happening. Ends with a furious barrage of trailer-ready hits. Good for action, space, Sci-Fi or quick cuts of intense violence.
-
主版本-An aural waterboarding. Suspenseful and tense, this cut uses grinding stone, metal thuds, and abstract water discharges to put you deep underground, drowning in Hell's own sewer system or a fraught-filled journey through a watery labyrinth/Carnival cruise. An unnaturally tense section starting @:31 ratchets up the tension leading to (@:42) indecipherable submerged voices sloshing in from all directions.
-
主版本-Sharp, metallic terror. Rusty needles injected into your bloodstream. Your heart extracted by a power saw while you're strapped down, awake. Cries of the damned mix with the screeches of torturous machinery, and clinking metals as a series of painful episodes recount the horror of being forcefully injected with a deadly substance or visiting my orthodontist, Dr. Mengele. Works for terror, horror, and evil paranormal phenomena.
-
主版本-A jaw-droppingly wondrous future, with undercurrents of mystery. A shimmering mix of both organic and electronic textures, female voices and modern, glass-like tones fuse to create a sense of questioning positivity. Gets wistful @:16, then turns determined up to a hit @:26. Good for Sci-Fi, outer space, dystopias, planetary exoduses, genetic engineering or the perils of too much technology.
-
主版本-Homicidal nanobots course through your body, eating you alive from the inside out. Mechanical insect noises, synthetic buzzing/skittering and descending-into-black-hole pitch shifts create a skin-crawling track useful for horror and terror. Final, alarm-like rise @:45 is truly scary.
-
主版本-You are inside a post-murder crime scene, re-enacting an horrific murder. Abstracted camera snaps, flash powerups, mangled voices, glass-like shimmers and rapid shifts in perspective make this creepy, disorienting track perfect for anything involving murder, stalkers, paparazzi violence or the dark side of paranormal (ghosts, afterlife, horror).
-
主版本-Completely creeped-out creepiness. Horrific abrasion noises. Sadistic distortion. Eerie metal scrapes. Plucked piano wires. Long division. If it makes you feel uncomfortable, chances are this track has it somewhere. Good mainly for horror and terror - but with a slight technological bent.
-
主版本-A comedy module? Comedule? Here's a fun, different way to create comedic tension. A collage-y piece comprised of orchestra tuning, tympani rolls, string bounciness, and temple block rolls all lead into a swirling, atonal - but still positive - orchestral rise with a big payoff. This one's for cartoon-ish stories, suggesting light chaos or telling the story of the world's most accident-prone orchestra.
-
主版本-Starts heavenly, ends Hellish. Ethereal microtonal Ligeti-esque voices are layered with muffled low percussion and slowly-vibrating metallic textures to create an organic, swirling, ghastly, underworldly environment. Variously wraithlike or subhuman, the voices evolve from a solitary voice to a building crescendo of tortured mystery. Rising voices @:23 add a new dimension of horror or apprehension to the piece.
-
主版本-A combination of gigantic mechanical and organic sounds evoke a massive vehicle that burrows deep under the earth's crust, then reverses course and bursts up through the rocks and dirt. Gritty first hit @:09 sets events swirling in motion, climaxing @:20 with a muddy, volcanic, eruptive blast. Airy whooshes sprinkled with mechanical suggestions place you back inside the vehicle. Good for space/Mars/cosmic birthing, Sci-Fi, construction or establishing tension in a dirt/earth/mud/rock context.
-
替代版-Nightmarish artificial, unemotive synthetic heartbeat-like pulse/gallop that slowly morphs into a metallic wave-like bed. Hypnotic rhythms pays homage to Steve Reich and Philip Glass via the Alien trailer and would be great for science fiction, thrillers, suspense and slowly building tension. Works especially well layered with a rise.
-
替代版-Epic, world-ending trailer of orchestral percussion with rhythmic, gunshot-like hits and wind/storm sounds. Great in non-specific settings as well, like battles, competitions, action or adventure.
-
替代版-Heartbeat electric bass, moody backing rhythms and thunderclaps create a tense bed of weather-related expectancy.
-
替代版-Threatening tension. Takes the main metallic 'cry' and loops it, adding layers as it lumbers across the landscape, suggesting time passing. Good for violence, darker stories, evil plotting or anything using the word "sinister."
-
替代版-Gritty rhythms and massive synthetic, overdriven drum stomps make for a trailer-ready 2nd act. Another layer of distorted bass @:21 adds nastiness. A delicate bed of high-frequency pulses @:38 provide contrast and lead to a final series of faster drum hits.
-
替代版-Need to motivate a crowd? Rhythmic loops built on the plane fragments and crowd chants/noises. Excitement-builder good for sports commercials (Nike, Adidas) or global contests (World Cup, Formula 1, NBA Championship).
-
替代版-Ticking clock tension with a creepy bent. Something huge starts hitting the bottom of the boat @:17 and keeps. Coming. Back.
-
替代版-Communications blackout. Unease and tension in a space/futuristic setting. Low pulsing drones, bit-dithered helmet breathing/communications and minimal kick drums create a sense that you are beyond the reach of man, life support systems are at 2%, or your iPhone is bricked.
-
替代版-Heavily-reverbed metal and stone-meets-pipe strikes and turtle-testicle-low bass pulses take you on a journey deep underground. Plodding, machine-like and dirty, this bed takes on a conveyor belt-like feel @:29. Good for plotting, machinations, tension, investigations, disappearances or mysteries.
-
替代版-Slow, churning rhythm bed interlaced with transitional elements and scary hits @:33.
-
其他版本-Dramatic (but not dark) assembly of glass-like textures, post-ethnic bells and modern synthetics creates a disquieting but dispassionate vision of the future. Low bass adds weight and tension. Hit @:36 confirms your worst suspicions.
-
替代版-Itch-inducing track. Clicks, glitches and other insect-like percussion create a disconcerting clock-like bed that is visually inspiring. If you're inspired by cockroach stopwatches.
-
替代版-Mangled, unintelligible voices (reversed and whispering) combine with metallic percussives, time-based ticking and low drums to create a disturbingly strange + creepy bed. Works for horror, investigations, murder, stalkers and other exits on the death-crime interstate. That's I-95 for you East-coasters.
-
替代版-Rusty machinery, malfunctioning electric shocks and muffled low thuds suggest you are dying a thousand deaths in the slowest, most evil way possible.
-
替代版-Slow, measured sneaking-like plucky strings, triangle and tympani strikes accelerate, creating a lightly tense bed perfect for comedic tension or cartoonish anxiety. Tense col legno string hits/swells section @:44. @1:13 a slow, lightly anxious time-passing tympani/temple block section creates the perfect comedy setup or game-show build.
-
替代版-Gritty, distorted Industrial/Rock guitars, and beats stomp all over the rising, swirling vocals. Perfect for dark dramas, murder, horror, satanic rituals and exploding puppies.
-
替代版-Falling bass tones, percussive tom hits, low rumbles and metallic friction suggest ebbs and flows of dark activity and conspiracy.
-
替代版-Prehistoric light tension with a groove. Organic Tribal drums and brushed percussion play along with the groaning, guttural dinosaur calls. Reminds me of a dinosaur ritual around a campfire. Yes, I'm that old.
-
替代版-Unrestrained violence in its most brutal Industrial Rock form. Aggressive, dark and just plain nasty, with huge drums laying down a thundering beat, joined by distorted bass and what we think is someone's soul being operated on with a power saw.
-
替代版-Moody, eerie and mysterious atmospheric open with disaffected woman's vocals sets up an explosion of modern Alternative Rock @:24 against a rattling rhythmic loop. Attitudinal grinding guitars, driving drums and Prog-Rock textures create an aggressive Drama Rock track good for chases, conspiracies, showdowns or fightin' sports (WWE, Boxing, MMA, Ice dancing).
-
替代版-Epic, futuristic chillout music. Pulsing textures are joined by a wailing female solo voice (@:26) and guitar to impart deep emotion around @:20, and build to a dramatic hit @:42. Works for Sci-Fi, alternate realities and unsolved missing person cases.
-
替代版-Determined, serious modern drama and suspense that builds linearly towards stately importance and proud exultation. Starting with a simple, 80s SynthPop arpeggio combined with modern cinematic string staccatos that suggests multi-layered, sophisticated storytelling. @:32, crowd chants lend it an impressive, widescreen and global-feeling scale. Good for showing growth and hard-fought victories.
-
替代版-Tense, low- and high-frequency synthetic textures place you in a future world, alternate reality or altered present. This version lacks the hits of the original, making it more spacious and ready to be layered with whatever. High frequency rise leads to a washy, low drone @:51. Dark-tinged mystery bed that's good for conspiracy, intrigue and espionage.
-
替代版-Attitudinal, modern Disco-meets-Dubstep. Off-kilter and kind of fun, like a really clumsy robot or inebriated monster on a Fashion Week catwalk. Disappears into a sea of reverb around :37, then resurfaces @:47 for the dancetastic finish. Gritty, grinding and toothy. Think Halloween, too.
-
其他版本-Shadowy, driving percussion, metallic swells and spiraling/rattling bowed guitars lay a skeleton for investigations, mysteries, unknown creatures or any title that includes the words "after dark."
-
其他版本-Slow, attitudinal, gritty distorted drums and low bass hits suggest irrational amounts of self-confidence. Good for sports, image spots and opens.
-
替代版-Bleak wind and space dust swirl over a low drone. Also good for deserts or snow worlds.
-
替代版-Undulating, creepy, unsettling water drain/sewer-like atmosphere leading to a rise @:55 and a climax @1:01. Simultaneously watery, metallic and electric while really being none of them. Disconcerting drone good for suspense, thriller, mystery, tension and the paranormal.
-
替代版-Levitatingly tense drone created with child-like vocal textures. Evokes being suspended in time, vanishing in space, missing children or simply the inevitable mortality of us all. Have a good one.
-
替代版-Artistic modulations of the rising vocals create a new take on disturbing elegance.
-
替代版-Just the rising ethereal vocals, growing more dissonant and eerie. Terrifyingly simple.
-
主版本-Serene, shiny, shimmering textures suggest space, dark-tinged wonder or being in orbit around Neil deGrasse Tyson. Wide scale, futuristic rise that keeps. On. Going.
-
替代版-Pulsing, building, drum hit-littered rise bursting with anticipation and excitement. Good for big events, award shows, contests or anything needing a boost of positive tension.
-
替代版-Gritty, jet engine-like rise builds to a dramatic payoff @:29. Can generate excitement - or dread, as it also sounds like a dive-bombing jet.
-
主版本-Revolutionary new product? Changing the world one puppy at a time? Determined, do-gooding and super optimistic, this drum- and synth pad-driven rise evolves over time from simple stage-setting to rhythmic excitement with a confidence that will get you psyched about pretty much everything. Except kale. Enough with the kale, already.
-
替代版-Bright, optimistic rise, featuring shimmering synths, reversed piano atmospheres and a pitch-shifting synth pad with a hint of anticipation and excitement. Good for new starts, corporate uses, and well, sunrises.
-
替代版-Swirling, backwards- and chaotic-feeling orchestra tuning that rises to a precise and clear final hit.